Cudelice Brazelton IV operates within the extensions of painting, assemblage, installation, and sound to construct adjustable entities and architectural engagements within the cut.
As a multidisciplinary artist, Anita Esfandiari’s practice involves a wide range of media devised to bridge the gap between the free zone of art and the social context it actually belongs to. Her works mean to create imaginative realms reflecting on the social and political-economic context that are indispensable to her life.
Kristina Lovaas works predominantly with ceramics, fabric, and installations investigating topics around affection, humor, and the process of recording touch.
James Sturkey makes drawings that show the interior architecture of public toilets, themed fences and facades, and the decorative paraphernalia of restaurant franchises. Such subjects, which for Sturkey are passions, are as banal as much as they are built upon the idea of phantasmatic potential. His sculptural works bring them to life like elements of theatrical staging, whereby the viewer finds themselves both comfortably familiar and yet alienated as the sustaining artifices of everyday life are made explicit.
Matt Welch works predominantly with sculpture and video. Recent work explores representations of the human body and its organs as institutionalised metaphors for the public body and ethical actions of the individual. The inside and the outside body are enacted as structures in Welch’s work to explore conflict, group dynamics, political difference, and exclusion in the autonomous and common systems of the individual subject.
The lifeless in the sky, which is a part of nature, and the natural phenomena such as the moon, the clouds, the rainbow and the wind are expressed as a living being in the context of the work on the basis of fairytale fantasy.